Warning: contains spoilers, sarcasm and a healthy amount of indignation
Smarmy sports agent Jerry Maguire (Tom Cruise) undergoes a crisis of conscience when one of his clients is injured, leading him to write a heartfelt ‘mission statement’ calling for fewer clients, less money and more love. Fired by his horrified company, Jerry’s only remaining client is Rod Tidwell (Cuba Gooding Junior), a skilled American football player who is often overlooked due to his melodramatic fits of rage. This lack of business is perhaps a blessing, given that the only one of his colleagues to follow him into unemployment is accountant Dorothy (Renee Zellwegger), a single mother who lives with her young son Ray (Jonathan Lipnicki) and straight-talking, man-mistrusting sister Laurel (Bonnie Hunt). Ditched by his fiancé Avery (Kelly Preston) and facing dire financial straits, Jerry attempts to make the best of things by starting an ill-advised relationship with Dorothy, which is ostensibly based on the fact he doesn’t like to let people down. Cue a lot of cheesy lines, predictable ‘twists’ and a totally ill-advised will-they-won’t-they plot.
Renee Zellwegger, is accountant Dorothy, a woman naive enough to marry Maguire, smart enough to break up with him, and naive enough to take him back. The lucky lady who escapes this fate is Avery, Maguire’s kinky, slightly loopy ex-fiancée, played by Kelly Preston, who dares to disagree with his quitting his job without telling her, and to value her own career over massaging his ego. Oh these modern women. Speaking of whom, Bonnie Hunt plays Dorothy’s ‘disapproving sister Laurel’, the woman who dares to suggest that a late night visit from your new boss might be less than innocent.
Fails: although the film has four relatively prominent female characters, none of them manage to discuss anything other than a man.
How are women represented?
It is pretty hard to recall the name of anyone in this film that isn’t Jerry Maguire. This is another example of Hollywood’s favourite sort of tale, about the plights and problems that face a wealthy, straight, good-looking, well-educated white man. As such, any character who does not fit this role is cheerfully stereotyped and side-lined so we can focus on the real challenges of the world.
Main female lead Dorothy has no real substance beyond being a hopeless romantic. This is clear from the first time we see her, when she nearly falls out of her seat trying to overhear Maguire describing his proposal to Avery to another passenger on a plane, because a single woman, and particularly one with a small, irritating child in tow, has nothing else on her mind than marriage. She then quits her job at the sports agency to follow a man she doesn’t know into a new business with no money or clients, simply because he deigns to remember her name and the poster she has up in her cubicle. She also puts up with being repeatedly groped and grabbed by a drunken Maguire, because hey, he looks like a suspiciously taller version of Tom Cruise, so he can do whatever he likes, right?
Dorothy continues to overlook the fact she has to support herself and a young child, only choosing to leave her job when she realises that she is draining money from Maguire’s failing company. Having found herself a better (read: actually) paid job, she immediately gives up on this when her new boyfriend/former boss Maguire panics at the thought that the relationship might fizzle out, and proposes on her front lawn. Eventually, she catches up with what the audience realised thirty three minutes previously, namely that this relationship is totally implausible and based on mutual insecurities, and, in a rare moment of clarity, integrity and will power, breaks up with him. Then he bursts into her living room, says he misses her, and they get back together. Because a wildly romantic speech made by a desperate and lonely man solves all relationship problems. Of course, we know that rom coms are supposed to present an idealised view of romance, love and all that mush, but the real love story here is between Maguire and himself. Dorothy contains no substance, serving only as the martyred single mother and hopeless romantic desperately trying to snare Mr Right Now, however wrong he might be.
Surprisingly, Dorothy is one of the two woman that Jerry Maguire actually wants us to like, the other being Marcee Tidwell, Rod’s smart, cutting and supportive wife. The message Jerry Maguire sends to women is that you’re either a devoted wife, or you’re a bitter old hag who wants to be a devoted wife but is too untrusting and selfish to achieve this goal. The divorced women’s group, who dare to criticise men and suggest women might want to live without them, are played as a joke, a bunch of loud, gossipy women trying to hide their loneliness behind anger. Because all women really want is to just get married.
Avery is treated even more coarsely, becoming a petty, slightly manic backstabber when she refuses to sacrifice her career to support Jerry. The only really compelling character in the film is Laurel, who is blunt, thoughtful, practical and protective of her blindsided younger sister. However, because the film identifies these strong qualities as masculine, she is not perceived as a romantic interest but as a loyal supportive character for the typically feminine Dorothy. As Laurel’s steely traits identify her as disconnected from traditional notions of femininity, her suggestion that sleeping with your new boss might be a mistake is perceived as atypical of women, a slightly quirky character trait peculiar to her, because of course ‘proper’ women all want to sleep with men, however unwise the situation might make this. Despite being the only character with an obvious grasp on the stupidity of the situation, she is then shown smoking alone in the dark kitchen, looking wistful as she eats Dorothy’s restaurant leftovers while her sister has loud, giggly sex with a totally unsuitable man. She appears pleased to hear that Dorothy is having fun, stifling a chuckle and she roots through the cold food. From this scene we are can deduce that Laurel, despite her strong will, common sense and intelligence, ultimately accepts that she and Dorothy are incapable of being happy without a man, and that a totally unsuitable man is better than none at all.
As the title infers, there is really only one character that matters in this film, to the point that everyone not named Jerry is either there to support him or oppose him. We’re meant to identify with Dorothy’s whimsical quest for romance, and with Marcee’s devotion to her husband, and to criticise the divorced women’s group and Avery as selfish man-hating harpies, and the steely reserve of Laurel as masculine and therefore unappealing in a woman. Unusually for a film that can be categorised as, among other things, a rom com, Jerry Maguire focuses primarily on the directives and needs of a man, and through this focus reinforces a narrow and stereotypical view of women.
Do you agree that Jerry Maguire offers us a poor portrayal of women, or was it right on the money in your mind? Comment below, share your views on the Facebook page and tweet @LTTL15, and remember to follow the blog for more analysis, ranting and reviews.